Sac State art students respond to pandemic with printmaking

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A virtual campus in the form of art

Marin Perego, Mercy Sosa

Posters from the Royal Chicano Air Force art collective are on display in the Collections & Collaborations exhibit on September 30, 2021. Art history and printmaking students referred to posters in the university’s archives to create works based on their own ephemera. Photo of the posters taken by Marin Perego. Graphic created on Canva.

Marin Perego

A tea bag, an aptly named neighborhood party invitation and a picture of a phone screen with the notification “Erase until 11:59 pm”

All are works by art students from the State of Sacramento for the “Collections & Collaborations” printmaking exhibition at the University Union Gallery.

The exhibit demonstrates the importance of attending a primarily virtual campus, according to Genesis Studio Print Club president and art major “Mayor” Torres.

To create “the ephemeral of a virtual campus”, art students reflected on their identity in the age of online learning, drawing inspiration from the school poster archive of the Royal Chicano Air Force art collective.

The ephemeral as an art form, according to Torres, is a way to create something that references an event or encapsulates a specific moment in time.

Torres’ Block Party print represents the community of printmakers coming together despite its physical distance and is on display at the Collections & Collaborations exhibition on September 30, 2021. Scanning the QR code takes the viewer to a recording of the previously organized event. (Photo by Marin Perego)

Torres’ Block Party print is an invitation to a virtual spring semester event that brought print enthusiasts together via Zoom, helping reconnect with the printmaking community.

Scanning the QR code on the print will take the viewer to a recording of the event, which Torres says is another fleeting element.

Torres said the inspiration behind “Block Party” was to capture the moment students live through learning and online interactions.

“The future may know this time around as a different narrative, but I wanted to sum up this time of zoom bombardment, zoom fatigue and remote connection through the use of Zoom,” Torres said.

Cecilia Lopez’s “Cleared But Not Really”, shown as promotional material for Collections & Collaborations, is in the exhibit on September 30, 2021. The print represents being allowed to go to campus but not to leave the pandemic. (Photo by Marin Perego)

Cecilia López, a double major in graphic design and art studio methods with an emphasis on printmaking, said her “Cleared But Not Really” print captures the uncertainties of returning to a virtual campus.

López’s article focuses on Sac State’s pandemic safety protocols, specifically the daily health self-screening surveys that students had to complete to visit campus.

The López print shows a hand holding a phone with the notification “Allowed until 11.59pm”. A disposable mask hangs from a finger.

“We all hope it will be a day, hopefully soon, the pandemic will only be a part of the past,” López said. “But until then, we’re not really allowed.”

Elizabeth Kellogg’s “Tea Date” was made using linocut, graphite and mixed media in the Collections & Collaborations exhibition on September 30, 2021. Kellogg’s print invites the viewer to foster a romantic relationship with himself, starting with a date for tea. . (Photo by Marin Perego)

Elizabeth Kellogg’s “Tea Date” features a packaged blend of oat straw, tulsi and chamomile, herbs that Kellogg says promote a sense of uplifting calm.

The sense of isolation brought about by the pandemic made Kellogg realize how conditioned society has been to believe that love for others is essential to their well-being.

“This period of isolation made me realize how much our media conditions us to believe that we need others to feel the love and the sense of peace and balance it brings into our lives,” said Kellogg said.

The play encourages viewers to question that belief and find those feelings of love and peace within them, according to Kellogg, “Starting with a date with themselves and a cup of tea.”

The print includes a single serving of tea with brewing instructions attached, which makes it fleeting because the print, once opened, will no longer be tied to its purpose, according to Kellogg.

“I hope my fleeting piece can mark the beginning of a process where people begin to build a deeper personal relationship, learning to provide each other with the acts of kindness and love that we have been conditioned to believe. can come only from others. “

Collections & Collaborations takes place from September 27 to October 21 in the University Union Gallery.


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