Osinachi to feature African artist’s first NFT at Christie’s

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Osinachi – a Nigerian digital artist who has also created his own cryptocurrency called Osina – will be the first African artist to auction non-fungible tokens through Christie’s and in collaboration with African Art Fair 1-54. Five of Osinachi’s works, which reimagine a 1972 swimming pool painting by David Hockney, are valued between £ 40,000 and £ 60,000 each in an online sale only (October 5-19).

The works – which can also be purchased with ether or bitcoin – mainly deal with work-life imbalances, but also have a black protagonist, which is “very important for her very personal work,” says Isabel. Millar, Christie’s specialist.

Osinachi, 29, whose full name is Prince Jacon Osinachi Igwe, creates detailed digital works using Microsoft Office, an unusually basic application in a high-tech field. Earlier this year, he sold three NFTs for the equivalent of $ 75,000 in just 10 days. “The NFTs have given it a great platform and such visibility,” said Millar. Christie’s will present the works on screens this year 1-54 London Fair (October 14-17).


‘Earthrise’ (1968), taken during NASA’s Apollo 8 mission

Specialists at the rare book dealer Peter Harrington has assembled an extensive collection for Masters of the frieze it shows how climate change is not just a contemporary concern. The more than 800 articles cover a printed book from 1485 on weather forecasts up to the first color photograph of the Earth, stamped by NASA, taken during the lunar orbit of Apollo 8 (“Earthrise”, 1968).

Also included are the first paper applying the ‘greenhouse’ metaphor to global warming – published in 1899 by Swedish scientist Nils Gustaf Ekholm – and an engraved portrait in 1848 of Alexander von Humboldt, one of the first observers of human impact. on the environment. A 2002 print by Banksy, showing Disney’s characters The jungle Book in a razed forest and made for Greenpeace, is also part of the collection – it is on display in the London gallery as it was made after the Frieze Masters deadline.

The collection is priced at £ 1.65million, with 10% of the proceeds going to the World Land Trust charity, gallery owner Pom Harrington confirms. “It’s a very visual, comprehensive, high-quality story of climate change. It could go straight to any museum, ”he says. centsecondestomidnight.co.uk

“Lignin constraint (d)” (2014) by Wolfgang Tillmans, offered at $ 95,000 to support the Gallery Climate Coalition © Wolfgang Tillmans / Maureen Paley, London / Hove

Coincidentally London frieze show, the organizers gave a booth to the Gallery Climate Coalition, an organization launched in October 2020 which now has 556 members. In addition to being on hand to answer questions from exhibitors and visitors, the GCC has a unique edition photo donated by Wolfgang Tillmans and his gallery owner Maureen Paley. “Lignin Constraint (d)” (2014) is priced at $ 95,000 and offered at the fair in support of the GCC.


“Untitled, September 2006” by Hannah Starkey © Tanya Bonakdar Gallery, New York / Los Angeles / Maureen Paley, London

Houston-based Mark Fehrs Haukohl investment banker and art collector, donated 200 photographs of 90 European women artists jointly to the Brooklyn Museum in New York and the Los Angeles County Museum of Art. Contemporary artists in the collection include Yto Barrada, Hannah Starkey, and Sarah Pickering. The institutions do not assess Haukohl’s donation, but note that it also includes a research and travel grant for a curator to visit art fairs and biennials in Europe in order to expand their respective collections in the region. This opportunity is “even more exciting” than the works, explains Michael Govan, director of Lacma.

This is the first time that the two institutions have joined forces for an acquisition of this magnitude. Anne Pasternak, director of the Brooklyn Museum, says it’s a sign of new models to come amid the “harsh financial realities exacerbated by the Covid-19 pandemic.”

The first exhibition of the collection will focus on the work carried out since 2000 and opens in Lacma on November 14. In the Now: Gender and Nation in Europe then went to the Brooklyn Museum in 2023.


Inside the new David Kordansky Gallery in Chelsea, New York © David Kordansky Gallery

Undisputed Los Angeles Gallerist David Kordansky has confirmed rumors that he will be expanding his operation for the first time in New York. In April 2022, he is due to open a ground floor space on West 20th Street in Chelsea, where neighbors include the Jack Shainman Gallery and David Zwirner. “There is deep electricity in New York City,” Kordansky says. The gallery has hired Anna Fisher, previously sales manager at the Victoria Miro gallery, who will start as the New York-based director of Kordansky next week.

Kordansky says the move was driven in part by his artists, who he believes deserve exposure in the world’s largest art market center – he quotes institutionally acclaimed Andrea Büttner – and by his clients. in and around the Big Apple. “They’ve been asking us for years when we’re going to move on to the next phase. It’s about time, ”says Kordansky.

He’ll bring a bit of LA to NY from the start – the opening show is from Lauren Halsey, whom he describes as “one of the most important LA artists of her generation.”


“Portrait of Vanessa Bell” by Duncan Grant (c1915-16) © Philip Mold & Company

There is renewed enthusiasm for the British liberal artists of the Bloomsbury Group, including Roger Fry, Duncan Grant and Vanessa Bell. London dealer Philip Mold recently opened a Charleston magnetism salon, a Sussex farmhouse where Bell, Grant and their various relatives decamped during WWI (Charleston: Bloomsbury’s muse, until November 10). A parallel exhibition at Charleston itself shows Grant’s avant-garde works, many of which appeared during the artist’s first exhibition in London in 1920 (until March 13, 2022).

“Their love triangles and unusual philosophies have helped ensure that an almost mythical plot surrounds the Bloomsbury Group and there have been a number of new collectors over the past 12-18 months,” said Brett Tryner, manager of the Cambridge Cheffins auction house.

He notes recent records for Fry, including the portrait of the writer EM Forster (c1911-20), estimated between £ 30,000 and £ 50,000, sold for £ 325,062 last year (Bonhams), and for Bell, whose “Autumn Bouquet” (1912) sold for £ 256,250 in March (is £ 25,000 to £ 35,000, Christie’s).

On October 28, Cheffins offered Fry’s painting “Mountains in Venice” (1926, is £ 6,000 to £ 8,000) and two nude studies by Grant (is £ 600 to 800, framed together). The latter once belonged to Angelica Garnett, the illegitimate daughter of Bell and Grant, born in Charleston in 1918 and died in 2012.

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